Blazons & Genealogy Notes
(Rialton, co. Cornwall; Thomas Munday, son of William Munday, and grandson of John Munday, a younger son of Monday, of co. Derby, and brother of Thomas Munday, Prior of Bodmin, temp. Henry VIII., who settled in co. Cornwall about 1540, under the auspices of his brother, tho Prior. Visit. Cornwall, 1620). Quarterly, gu. and sa. on a cross engr. ar. five lozenges az. on a chief or, three eagles’ legs erased a-la-quise of the fourth.
Origin, Meaning, Family History and Munday Coat of Arms and Family Crest
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Munday Coat of Arms Meaning
The three main devices (symbols) in the Munday blazon are the eagle’s leg, lozenge and cross engrailed. The two main tinctures (colors) are sable and azure.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur . In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known . Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy .
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli . Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” .
Where the lion is undisputed king of the animals, the eagle undoubtedly plays the same role in the realm of the birds, its use in this form dating back to at least the Roman period . They tend to be illustrated in quite some detail, especially in continental European arms, and have almost as wide variety of postures and accessories as the lion, well illustrated in the reference as well as being just the eagle’s head or eagle’s leg. The symbology of the eagle is deep and complex, Wade devotes several pages to the subject , but suffice it say that it has long been associated with Empire and those held in high honour – any armiger would be pleased to have any form of Eagle upon their arms!
For easy recognition of the items on a coat of arms, and hence the quick identification of the owner, bold simple shapes are best. Hence, simple geometric shapes are often used for this purpose xz`, and the lozenge Is a typical example of this, and can appear in any of the main heraldic tinctures. It can appear on its own, voided (with the background visible through the middle), and can also be conjoined, whereby adjacent lozenges touch point-to-point. Guillim groups the lozenge with all square shapes as being symbolic of “verity, probity, constancy and equity”.
No other symbol appearing in heraldry is subject to as much variation as the cross . Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges . The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.