The four main devices (symbols) in the Rowdon blazon are the pheon, griffin, lion passant and chequy. The three main tinctures (colors) are or, gules and azure .
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.1Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 2A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.4The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 6Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 7A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 8The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 9Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 89. The pheon is a specific type of arrow head with barbs and darts and hence quite distinctive in appearance. 10A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Pheon Like the other symbols related to arrows, Wade suggests the symbolism is that of “readiness for military service”. 11The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P111
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 12Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P164 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 13A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Griffin. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]14Fictitious & Symbolic Creatures…in British Heraldry, J. Vinycomb, Chapman & Hall, London, 1906, P150
There can be no animal more clearly associated with Heraldry than the lion, majestic King of the Beasts. Originally it appeared only in one pose, erect, on one paw, with the others raised 15Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 64 but such was the popularity of this figure, and the need to distinguish arms from each other, that it soon came to be shown in an enormous range of forms 16Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P136-141. The lion passant is an example of these modified form, showing the creature on all fours, as if walking proudly. In common with all reprensentations of the lion it can be taken to be an “emblem of deathless courage”. 17The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P61