cross patonce

No other symbol appearing in heraldry is subject to as much variation as the cross Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67, or fanciful, decorative endings to the arms of the cross A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P128. The cross patonce is typical of these, whereby each arm of the cross expands and ends in a bud-like projection. These cross variations are probably largely for decorative effect, and to differentiate the arms from similar ones and hence their significance is that of the Christian cross itself.