Achamber Coat of Arms
Click below to change main image
Which coat of arms or "family crest" is mine?
Choose the design you like best, just your ancestors did when they painted these symbols on the shields they carried into battle and displayed in their homes. These coats of arms are real, historical works of art/culture dating back as far as 1100AD. Most of these designs were compiled and documented by genealogists and heraldists in large books published in the nineteenth century. These arms were owned by individuals who bore your surname, and were passed down through the generations from father to son, earning the monicker "family crest".
Origin, Meaning and Family History of the Achamber Name
We don’t yet have this section of research completed for this name. If you are interested in being notified when research becomes available, please use this form to contact us and we will let you know as soon as we have something!
Achamber Coat of Arms Meaning
The two main devices (symbols) in the Achamber blazon are the key and mullet. The two main tinctures (colors) are azure and or.
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 1Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P150.
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” 3The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35. Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun 4Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ 5A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P76-77.
Although we expect to find fierce creatures and fearsome weapons depicted in a coat of arms this is not always the case – sometimes simple household objects are used 6A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P281. The key is a typical example of this. Sometimes these objects were chosen for the familiarity they would have for the obsever, helping them identify the owner, and sometimes they were used because of some association with the owner, or a similarity to the family name. 7Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 100 In other cases, Wade suggests that their appearance can be taken to indicate “guardianship and dominion”. 18The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P47
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 9Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 10A Display of Heraldry, J. Guillim, Blome, London, 1679, P107. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 11The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105.