Alderford Family Crest, Coat of Arms and Name History

Alderford Family Coat of Arms

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Alderford Coat of Arms Meaning

Alderford Name Origin & History

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Alderford Coat of Arms Meaning

The four main devices (symbols) in the Alderford blazon are the saltire, griffin, leopard’s face and rat. The three main tinctures (colors) are azure, argent and or .

The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.

Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.

The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 6A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.

The saltire is one the major ordinaries, large charges that occupy the whole of the field 8A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Saltire. Arguably one of the best uses of this device is that of the St. Andrews Cross, a white saltire on a blue background found on the Scottish flag. The saltire is obviously closely related to the Cross, and Wade in his work on Heraldic Symbology suggests additionally that it alludes to “Resolution”, whilst Guillim, an even more ancient writer, somewhat fancifully argues that it is awarded to those who have succesfully scaled the walls of towns! 9A Display of Heraldry, J. Guillim, Blome, London, 1679, P63

In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 10Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P164 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 11A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Griffin. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]12Fictitious & Symbolic Creatures…in British Heraldry, J. Vinycomb, Chapman & Hall, London, 1906, P150

The leopard’s face (sometimes, incorrectly referred to as a leopard’s head occurs very frequently in heraldry 13A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Lion. Early heraldic artists tended to treat lions and leopards as the same animal, but during the development of British Heraldry the heads of the two creatures have adopted separate, and more realistic forms. Wade would have us associate leopards with warriors, especially those who overcome ”hazardous things by force and courage” 14The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P65

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Origin, Meaning and Family History of the Alderford Name

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Blazons & Genealogy Notes

1) (Norfolk). Ar. a saltire az. Crest—A rat ppr.
2) (Warwickshire). Ar. on a saltire az. betw. four griffins’ heads erased erm. a leopard’s face and four lozenges or.
3) (Warwickshire and Worcestershire, allowed with three quarterings by the Deputies of Camden, Clarenceux, to John Alderford, of Knightwick, co. Worcester, and Salford, co. Warwick, fourth in descent from John Alderford of Salford). Ar. on a saltire az. a tiger’s head erased or.
4) Or, a saltire az.

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References   [ + ]

1. A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure
2. The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36
3. Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53
4. A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11
5. Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27
6. A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85
7. Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53
8. A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Saltire
9. A Display of Heraldry, J. Guillim, Blome, London, 1679, P63
10. Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P164
11. A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Griffin
12. Fictitious & Symbolic Creatures…in British Heraldry, J. Vinycomb, Chapman & Hall, London, 1906, P150
13. A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Lion
14. The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P65