Origin, Meaning and Family History of the Alderford Name
We don’t yet have this section of research completed for this name. If you are interested in being notified when research becomes available, please use this form to contact us and we will let you know as soon as we have something!
Alderford Coat of Arms Meaning
The four main devices (symbols) in the Alderford blazon are the saltire, griffin, leopard’s face and rat. The three main tinctures (colors) are azure, argent and or .
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli . Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” .
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) . In a sketch or drawing it is represented by plain, unmarked paper .
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa . The yellow colour is often associated with the Sun, and the zodiacal sign of Leo..
The saltire is one the major ordinaries, large charges that occupy the whole of the field . Arguably one of the best uses of this device is that of the St. Andrews Cross, a white saltire on a blue background found on the Scottish flag. The saltire is obviously closely related to the Cross, and Wade in his work on Heraldic Symbology suggests additionally that it alludes to “Resolution”, whilst Guillim, an even more ancient writer, somewhat fancifully argues that it is awarded to those who have succesfully scaled the walls of towns!
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. . It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]
The leopard’s face (sometimes, incorrectly referred to as a leopard’s head occurs very frequently in heraldry . Early heraldic artists tended to treat lions and leopards as the same animal, but during the development of British Heraldry the heads of the two creatures have adopted separate, and more realistic forms. Wade would have us associate leopards with warriors, especially those who overcome ”hazardous things by force and courage”