The two main devices (symbols) in the Bredwell blazon are the goat and bend engrailed. The three main tinctures (colors) are gules, sable and argent .
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.1The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 2Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sable. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 6The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 8A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? Nevertheless, real animals 9A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P191 are perhaps one of the most common sights on coats of arms, especially animals of European origin. The goat Is a typical example of these. Guillim, writing in the 17th century suggested that it may represent a “martial man who wins victory by…policy [rather] than valour”, a diplomat by any other name. 10A Display of Heraldry, J. Guillim, Blome, London, 1679, P119
The bend is a distinctive part of the shield, frequently occuring and clearly visible from a distance – it is a broad band running from top left to bottom right 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 39-40. It can be further distinguished by embellishing the edges. The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.