The four main devices (symbols) in the Bruynen blazon are the cross moline, inescutheon, fleur-de-lis and lion’s head. The three main tinctures (colors) are argent, sable and azure .
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 1Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 2A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 3A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sable. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 5The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35.
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P150.
No other symbol appearing in heraldry is subject to as much variation as the cross 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 9Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67, or fanciful, decorative endings to the arms of the cross 10A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P128. The cross moline is typical of these whereby each arm of the cross expands and curves outwards, reminscent of the fer-de-moline from which it gets its name. These cross variations are probably largely for decorative effect, and to differentiate the arms from similar ones and hence their significance is that of the Christian cross itself.
The escutcheon simply represents smaller shield shapes included within the shield, and its close relative, the inescutcheon is just a larger version occupying most of the field. 11A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Escutcheon There is no particular significance that can accorded to the escutcheon itself, but attention should be paid to the colour and devices that are borne upon it. The escutcheon may also be added to an existing coat of arms either as recognition of some additional honour (an escutcheon of augmentation”) or in the case where arms that are already quartered are to be combined an escutcheon with the new arms may be placed overall (an ”escutcheon of pretence”). 12Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 126 & 141
The fleur-de-lys (“flower of the lily”) has a long and noble history and was a symbol associated with the royalty of France even before heraldry became widespread. 13Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 3. The Lily flower is said to represent “Purity, or whiteness of soul”14The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P134 and sometimes associated with the Virgin Mary. The fleur-de-lys is also used as a small “badge”, known as a mark of cadency to show that the holder is the sixth son of the present holder of the arms 15A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P489