The three main devices (symbols) in the Charleton blazon are the pheon, swan and griffin. The two main tinctures (colors) are ermine and azure.
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 1 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 2. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.3. The ermine spot is sometimes found alone as a special charge on the shield.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 4. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 5.
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 6. The pheon is a specific type of arrow head with barbs and darts and hence quite distinctive in appearance. 7 Like the other symbols related to arrows, Wade suggests the symbolism is that of “readiness for military service”. 8
Wade suggests that the appearance of a swan in a coat of arms is perhaps an indication of a musical person, or a “ lover of poetry and harmony”. 9 It is generally shown in a lifelike aspect and colouring, although it may be leaked and legged with other colours. 10. It is a popular charge, both on the shield itself and impress, sometimes sitting and sometimes rising as if about to take off in flight. 11
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 12 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 13. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]14