The two main devices (symbols) in the Coston blazon are the pheon and crosses crosslet. The three main tinctures (colors) are azure, sable and or .
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 1. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 2.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 3. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 4. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 5.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.6. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 7. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.8.
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 9. The pheon is a specific type of arrow head with barbs and darts and hence quite distinctive in appearance. 10 Like the other symbols related to arrows, Wade suggests the symbolism is that of “readiness for military service”. 11
No other symbol appearing in heraldry is subject to as much variation as the cross 12. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross. The cross crosslet is one of these, being symetrical both vertically and horizontally and having an additional cross bar on each arm. 13 Wade suggests that these additional crossing signify “the fourfold mystery of the Cross”. 14