Crickman Coat of Arms
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Origin, Meaning, Family History and Crickman Coat of Arms and Family Crest
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Crickman Coat of Arms Meaning
The main device (symbol) in the Crickman blazon is the mascle. The two main tinctures (colors) are gules and azure.
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.1The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 2Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 5The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
The mascle is a close relative of the lozenge or diamond shape, but with the centre cut away revealing the background underneath. 6A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Mascle. Guillim, writing in the 17th century reckoned the mascle to represent the mesh of a net, being the biblical symbol for “persuasion, whereby men are induced to virtue and verity”. 7A Display of Heraldry, J. Guillim, Blome, London, 1679, P234