Gost Coat of Arms
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Which coat of arms or "family crest" is mine?
Choose the design you like best, just your ancestors did when they painted these symbols on the shields they carried into battle and displayed in their homes. These coats of arms are real, historical works of art/culture dating back as far as 1100AD. Most of these designs were compiled and documented by genealogists and heraldists in large books published in the nineteenth century. These arms were owned by individuals who bore your surname, and were passed down through the generations from father to son, earning the monicker "family crest".
Origin, Meaning, Family History and Gost Coat of Arms and Family Crest
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Gost Coat of Arms Meaning
The three main devices (symbols) in the Gost blazon are the pile, pheon and wings. The three main tinctures (colors) are ermine, sable and or .
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 1A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P69 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P39. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.3Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 28. The ermine spot is sometimes found alone as a special charge on the shield.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sable. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 6The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35.
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35. Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun 8Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ 9A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P76-77.
The pile was originally quite a simple shape, being a triangle reaching from the top of the shield down to a point near the lower centre 10A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Pile. A clear example being that of CHANDOS awarded in 1337, Or a pile gules. There is some argument as to the origin, Wade suggests some similarity with the meaning of “pile” in construction (a foundation) and hence that the shape could be adopted by those who have demonstrated some ability in the building trade 11The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P48. An earlier writer, Guillim, perhaps more plausibly suggested that the shape echoes those of a pennant or triangular flag 12A Display of Heraldry, J. Guillim, Blome, London, 1679, P52 The shape is quite distinctive however and became popular, leading to many embellishments to distinguish it from its close fellows, with multiple piles meeting at various points, starting from various edges and with additional decoration, leading to potentially quite complex descriptions!
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 13Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 89. The pheon is a specific type of arrow head with barbs and darts and hence quite distinctive in appearance. 14A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Pheon Like the other symbols related to arrows, Wade suggests the symbolism is that of “readiness for military service”. 15The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P111
Wings are frequently observed in coats of arms. Unless otherwise specified they should be shown as eagle’s wings, with a realistic appearance. 16A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Wing They can appear singly or in pairs, in which form they are very often found in the crest, which rests above the shield in a full achievement of arms. Wade, quoting Quillim, suggests that the use of the wing on the shield signifies “celerity and protection or covering”. 17The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P73