The two main devices (symbols) in the Hadden blazon are the rose and cross engrailed. The two main tinctures (colors) are gules and argent.
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries 2Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone.3A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P77.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 4Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 5A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
Natural objects abound in heraldry, and one category that gives especial delight are the many flowers and flowering plants that frequently occur 6A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P262. The rose is also of this type, being drawn, at least a little, realistically and often to very pleasing effect. It has long been present in English heraldry, and as a badge and symbol played an enormous in English history throughout the conflict between rival dynasties known as the War of the Roses. In addition to these familial uses, Wade suggests that red roses signify “beauty and grace” and the white represents “love and faith”. 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P132-133
No other symbol appearing in heraldry is subject to as much variation as the cross 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 9Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67. The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.