The four main devices (symbols) in the Hamlin blazon are the lion, spaniel, bars indented and chevron. The three main tinctures (colors) are gules, argent and ermine .
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.1The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 2Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 4Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 5A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 6A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P69 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P39. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 28. The ermine spot is sometimes found alone as a special charge on the shield.
The art of heraldry would be significantly poorer if we were without the lion in all its forms. Most general works on Heraldry devote at least one chapter solely to this magnificent creature and its multifarious depictions 9A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P172 10Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 63 11Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P140. Some of the earliest known examples of heraldry, dating right back to the knighting of Geoffrey of Anjou in 1127, where he is shown with six such beasts upon his shield 12A Treatise on Heraldry, J. Woodward, W & A.K Johnston, Edinburgh & London, 1896, P45 .The great authority on heraldic symbology, Wade, points out the high place that the lion holds in heraldry, “as the emblem of deathless courage” 13The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P60, a sentiment echoed equally today.
Dogs of all breeds are common in heraldry and are largely depicted in a realistic fashion for that species. The obviously have a role as “man’s best friend” and can demonstrate a passion for the pursuit of hunting, but may also occur as a play on words with the family name. 14A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:dog (and others) Wade suggests that all dogs, of whatever breed should be taken as tokens of their “courage, vigilancy, and loyal fidelity”. 15The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P69
The bar is a thin, horizontal stripe across the centre of the shield, usually in groups of two or three (any more and there would be confusion with barry, a treatment of horizontal lines of alternating colours). It is also possible to place decorative edges along bars, typically these are smaller than those found on the major ordinaries like the fess and pale, but have the same design and share the same meanings. An line drawn indented, i.e. in a saw-tooth pattern might be taken for dancettee, but in this case the individual “teeth” are much smaller. An early author, Guilllim seeks to associate this decoration with fire 16A Display of Heraldry, J. Guillim, Blome, London, 1679, P39, and one can see the resemblance to flames.