The four main devices (symbols) in the Helme blazon are the pheon, griffin, pile and esquire’s helmet. The three main tinctures (colors) are argent, gules and azure .
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 1Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 2A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.3The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 5Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 6A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 89. The pheon is a specific type of arrow head with barbs and darts and hence quite distinctive in appearance. 9A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Pheon Like the other symbols related to arrows, Wade suggests the symbolism is that of “readiness for military service”. 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P111
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 11Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P164 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 12A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Griffin. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]13Fictitious & Symbolic Creatures…in British Heraldry, J. Vinycomb, Chapman & Hall, London, 1906, P150
The pile was originally quite a simple shape, being a triangle reaching from the top of the shield down to a point near the lower centre 14A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Pile. A clear example being that of CHANDOS awarded in 1337, Or a pile gules. There is some argument as to the origin, Wade suggests some similarity with the meaning of “pile” in construction (a foundation) and hence that the shape could be adopted by those who have demonstrated some ability in the building trade 15The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P48. An earlier writer, Guillim, perhaps more plausibly suggested that the shape echoes those of a pennant or triangular flag 16A Display of Heraldry, J. Guillim, Blome, London, 1679, P52 The shape is quite distinctive however and became popular, leading to many embellishments to distinguish it from its close fellows, with multiple piles meeting at various points, starting from various edges and with additional decoration, leading to potentially quite complex descriptions!