The three main devices (symbols) in the Inglefield blazon are the barry, lion and mullet. The three main tinctures (colors) are gules, or and azure .
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”1. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries 2. Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone.3.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.4. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 5. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.6.
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 7. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 8.
When the field of the shield is filled with alternately coloured horizontal lines, this is known as barry, obviously because it is like having many separate bars across the field 9. Such shields have great clarity from a distance, those awarded by Henry III of England to Richard de Grey were, for example, Barry argent and azure, simple blue and white horizontal stripes. According to Wade, there was no specific meaning to be attached to barry itself, but it affords the opportunity to display at equal importance two colours that may themselves have specific meanings 10.
The art of heraldry would be significantly poorer if we were without the lion in all its forms. Most general works on Heraldry devote at least one chapter solely to this magnificent creature and its multifarious depictions 11 12 13. Some of the earliest known examples of heraldry, dating right back to the knighting of Geoffrey of Anjou in 1127, where he is shown with six such beasts upon his shield 14 .The great authority on heraldic symbology, Wade, points out the high place that the lion holds in heraldry, “as the emblem of deathless courage” 15, a sentiment echoed equally today.
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 16. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 17. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 18.