The two main devices (symbols) in the Kelso blazon are the garb and fesse engrailed. The three main tinctures (colors) are ermine, sable and or .
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 1 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 2. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.3. The ermine spot is sometimes found alone as a special charge on the shield.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 4. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 5. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 6.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.7. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 8. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.9.
Europe in the middle ages was still a largely agrarian society, and the wealth of the nobility resided in their estates and land. Since most people still lived and worked on the land they would find farm implements instantly recognisable, (an important feature for a coat of arms), even if they seem obscure to us today. 10 The garb for example is an ancient word for wheatsheaf, something now more frequently seen in Inn signs than in the field! 11
The fesse is a broad horizontal band across the centre of the shield, in very ancient times it was said to occupy one third of the area height of the shield 12, however it soon became somewhat narrower. This created an opportunity to add decorative edging to the band, of many forms, and to very pleasing artisitic effect, at least close up – it must be admitted that at distance some of the forms are hard to distinguish! The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.