Origin, Meaning, Family History and Pexall Coat of Arms and Family Crest
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Pexall Coat of Arms Meaning
The three main devices (symbols) in the Pexall blazon are the cross flory, martlet and escallop. The three main tinctures (colors) are azure, or and sable .
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” . The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance .
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” . Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun . In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ .
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur . In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known . Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy .
No other symbol appearing in heraldry is subject to as much variation as the cross . Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges , or fanciful, decorative endings to the arms of the cross . The cross flory is typical of these, having each arm end in something very similar to the fleur-de-lys.
The martlett is by far the most common bird to appear in British Heraldry, perhaps only equalled by the eagle, however it is not a species ever to be found in an ornithologists handbook! The word itself is though to have come from the French word merlette, the female blackbird and itself a similar type of charge used in French Heraldry. . Over time the image has become quite stylised, without visible legs or distinctive feathers. Wade suggests that this representation arises from “the appearance of the bird of paradise to ancient travellers” . Other bird species may be named in coats of arms (cornish chough is a frequent example) but in actual execution their appearance is often indistinguishable from the martlet.
The escallopoccurs often in arms, represented as the outside of the shell, sometimes “fluted” of a different colour . It has been part of heraldic tradition almost from the beginning of the art, Henry III of England awarded Gules, 3 escallopes argent to Herbert de CHAMBERLEYNE in the 13th century, and it is present in the heraldry of almost all countries . It is believed that they were adopted as badges of those going to the Holy Land and can be found in the arms of many a crusading family. Hence Wade’s suggested association of the scallop with those that “complete long journeys to far countries” .