The three main devices (symbols) in the Reydon blazon are the lion’s head, cross moline and chequy. The two main tinctures (colors) are argent and gules.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 1Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 2A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.3The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 5Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
There can be no animal more clearly associated with Heraldry than the lion, majestic King of the Beasts.6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 64 The head of the lion also appears alone on many coats of arms, but its use in this form is largely to enable a clear difference from similar arms that use the complete animal, and its significance should be taken to be the same as the lion entire, being a symbol of “deathless courage”. 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P59
No other symbol appearing in heraldry is subject to as much variation as the cross 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 9Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67, or fanciful, decorative endings to the arms of the cross 10A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P128. The cross moline is typical of these whereby each arm of the cross expands and curves outwards, reminscent of the fer-de-moline from which it gets its name. These cross variations are probably largely for decorative effect, and to differentiate the arms from similar ones and hence their significance is that of the Christian cross itself.
Chequy (a word with a surprising number of different spellings!) is what is known as a treatment, a repeating pattern usually used to fill the whole background of the shield with a series of alternately coloured squares 11A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Chequy. These squares are usually quite small (there should be at least 20 in total), giving the appearance of a chess board, but any combination of colours may be used. It can also be used as a patterning on some of the larger ordinaries, such as the pale and fess, in which case there are three rows of squares. Wade, an authority on heraldic meaning groups chequy with all those heraldic features that are composed of squares and believes that they represent “Constancy”, but also quotes another author Morgan, who says that they can also be associated with “wisdom…verity, probity…and equity”, and offers in evidence the existence of the common English saying that an honest man is a ”Square Dealer” 12The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P100.