The three main devices (symbols) in the Anson blazon are the crescent, bendlets and engrailed. The two main tinctures (colors) are gules and argent.
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”1. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries 2. Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone.3.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 4. In a sketch or drawing it is represented by plain, unmarked paper 5.
For easy recognition of the items on a coat of arms, and hence the quick identification of the owner, bold simple shapes are best. Hence, simple geometric shapes are often used for this purpose 6xz`, and the crescent Is a typical example of this, and can appear in any of the main heraldic tinctures. Some common is this device that there are special names for its appearance in various orientations – whilst it lies normally with points upward, the decrescent points to the sinister side, and the increscent to the dexter 7. The allusion, obviously is to the shape of the moon in the sky (indeed, the French have a version “figuré” which includes a face!) and has been said to signify both “honour by the sovereign” and “hope of greater glory” 8.
The bend is a distinctive part of the shield, frequently occuring and clearly visible from a distance – it is a broad band running from top left to bottom right 9. Indeed, so important is the bend that it was the subject of one of the earliest cases before the English Court of Chivalry; the famous case of 1390, Scrope vs Grosvenor had to decide which family were the rightful owners of Azure, a bend or (A blue shield, with yellow bend). 10. The bend is held in high honour and may signify “defence or protection” and often borne by those of high military rank 11.The Bendlet is quite simply a narrower version of the bend, and there may be a small number of these present.
The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.