Origin, Meaning, Family History and Astell Coat of Arms and Family Crest
We don’t yet have this section of research completed for this name. If you are interested in being notified when research becomes available, please use this form to contact us and we will let you know as soon as we have something!
Astell Coat of Arms Meaning
The three main devices (symbols) in the Astell blazon are the cross crosslet, lion passant and eagle. The three main tinctures (colors) are argent, or and gules .
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) . In a sketch or drawing it is represented by plain, unmarked paper .
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa . The yellow colour is often associated with the Sun, and the zodiacal sign of Leo..
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries . Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone..
No other symbol appearing in heraldry is subject to as much variation as the cross . Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross. The cross crosslet is one of these, being symetrical both vertically and horizontally and having an additional cross bar on each arm. Wade suggests that these additional crossing signify “the fourfold mystery of the Cross”.
There can be no animal more clearly associated with Heraldry than the lion, majestic King of the Beasts. Originally it appeared only in one pose, erect, on one paw, with the others raised but such was the popularity of this figure, and the need to distinguish arms from each other, that it soon came to be shown in an enormous range of forms . The lion passant is an example of these modified form, showing the creature on all fours, as if walking proudly. In common with all reprensentations of the lion it can be taken to be an “emblem of deathless courage”.
Where the lion is undisputed king of the animals, the eagle undoubtedly plays the same role in the realm of the birds, its use in this form dating back to at least the Roman period . They tend to be illustrated in quite some detail, especially in continental European arms, and have almost as wide variety of postures and accessories as the lion, well illustrated in the reference as well as being just the eagle’s head or eagle’s leg. The symbology of the eagle is deep and complex, Wade devotes several pages to the subject , but suffice it say that it has long been associated with Empire and those held in high honour – any armiger would be pleased to have any form of Eagle upon their arms!