The three main devices (symbols) in the Becton blazon are the spade irons, tiger and mullet. The two main tinctures (colors) are azure and or.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.3Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 4A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.5Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
It is important that a coat of arms be easily recognised and so everyday objects were frequently used as clearly identifiable charges – tools 6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 69 being a common and important example of these, of which the spade is typical. Some of these tools are rather obscure to modern eyes, who of us nowadays would recognise a hemp-break 7A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P163, let alone know what to use it for! Nevertheless, for mediaeval peasant it was a clearly identifiable symbol. For its symbolism we need look little further than its intended use, as a tool of the working man.
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? 8A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P191 The tiger is an interesting example here being named after a real animal but depicted in rather and mythical appearance. 9A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Tiger Later arms came to use a more lifelike appearance and the usage of heraldic tiger and natual tiger arose to make the distinction. Wade tells us that the mythical bearing of such a creature signifies “great fierceness and valour when enraged” and suggests that we should be wary as the holder may be “one whosee resentment will be dangerous if aroused”! 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P63
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 12A Display of Heraldry, J. Guillim, Blome, London, 1679, P107. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 13The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105.