The three main devices (symbols) in the Boyland blazon are the cross engrailed, eagle and saltorel. The two main tinctures (colors) are azure and gules.
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 1Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P150.
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”3The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines 4Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P52. Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).5A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P154
No other symbol appearing in heraldry is subject to as much variation as the cross 6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67. The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.
Where the lion is undisputed king of the animals, the eagle undoubtedly plays the same role in the realm of the birds, its use in this form dating back to at least the Roman period 8A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Eagle. They tend to be illustrated in quite some detail, especially in continental European arms, and have almost as wide variety of postures and accessories as the lion, well illustrated in the reference 9A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P235-238 as well as being just the eagle’s head or eagle’s leg. The symbology of the eagle is deep and complex, Wade devotes several pages to the subject 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P72-74, but suffice it say that it has long been associated with Empire and those held in high honour – any armiger would be pleased to have any form of Eagle upon their arms!
For easy recognition of the items on a coat of arms, and hence the quick identification of the owner, bold simple shapes are best. Hence, simple geometric shapes are often used for this purpose 11A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P146, and the saltorel Is a typical example of this, representing a small saltire 12A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Saltire, of which there can be many present and which can appear in any of the main heraldic tinctures. They are quite common on the bordures of continental European shields.