Origin, Meaning, Family History and Brocton Coat of Arms and Family Crest
We don’t yet have this section of research completed for this name. If you are interested in being notified when research becomes available, please use this form to contact us and we will let you know as soon as we have something!
Brocton Coat of Arms Meaning
The three main devices (symbols) in the Brocton blazon are the cross engrailed, griffin and fleur-de-lis. The three main tinctures (colors) are gules, or and vert .
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.. The word gules is thought to come from the Arabic gule, or “red rose” . Later writers associated it with the precious stone ruby and the metal iron , perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” . Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun . In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ .
The deep green colour that is so often observed in heraldry is more properly known as vert. According to Wade, the use of this colour signifies “Hope and Joy”, but may also represent, rather delightfully, “Loyalty in Love” . It has other names also, the French call it sinople, perhaps after a town in Asia Minor from where the best green die materials could be found . More fanciful heralds liked to associate it with the planet venus and the precious stone emerald . More strangely, there is some evidence that the term prasin was anciently used, being the Greek for the vegetable we call the Leek!
No other symbol appearing in heraldry is subject to as much variation as the cross . Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges . The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. . It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]
The fleur-de-lys (“flower of the lily”) has a long and noble history and was a symbol associated with the royalty of France even before heraldry became widespread. . The Lily flower is said to represent “Purity, or whiteness of soul” and sometimes associated with the Virgin Mary. The fleur-de-lys is also used as a small “badge”, known as a mark of cadency to show that the holder is the sixth son of the present holder of the arms