Firth Coat of Arms
Click below to change main image
Which coat of arms or "family crest" is mine?
Choose the design you like best, just your ancestors did when they painted these symbols on the shields they carried into battle and displayed in their homes. These coats of arms are real, historical works of art/culture dating back as far as 1100AD. Most of these designs were compiled and documented by genealogists and heraldists in large books published in the nineteenth century. These arms were owned by individuals who bore your surname, and were passed down through the generations from father to son, earning the monicker "family crest".
Origin, Meaning, Family History and Firth Coat of Arms and Family Crest
We don’t yet have this section of research completed for this name. If you are interested in being notified when research becomes available, please use this form to contact us and we will let you know as soon as we have something!
Firth Coat of Arms Meaning
The three main devices (symbols) in the Firth blazon are the axe, garb and buckle. The three main tinctures (colors) are azure, ermine and or .
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 3A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P69 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 4The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P39. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 28. The ermine spot is sometimes found alone as a special charge on the shield.
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” 6The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35. Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ 8A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P76-77.
The Axe appears in many forms in heraldic art, coming from both the martial and the craft traditions, indeed someone today would have a hard time telling their common hatchet from a turner’s axe, but it is likely that those in the middle ages were more familiar with each. 9A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Axe Obviously the axe from a craft tradition may symbolise the holder being a practitioner of that craft, but the axes from a martial background are suggested by Wade to indicate the “execution of military duty”. 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P100
Europe in the middle ages was still a largely agrarian society, and the wealth of the nobility resided in their estates and land. Since most people still lived and worked on the land they would find farm implements instantly recognisable, (an important feature for a coat of arms), even if they seem obscure to us today. 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 86 The garb for example is an ancient word for wheatsheaf, something now more frequently seen in Inn signs than in the field! 12A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Garbe
Although we expect to find fierce creatures and fearsome weapons depicted in a coat of arms this is not always the case – sometimes simple household objects are used 13A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P281. Sometimes these objects were chosen for the familiarity they would have for the obsever, helping them identify the owner, and sometimes they were used because of some association with the owner, or a similarity to the family name. 14Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 100 The buckle may fall into this category, it is present in a surprising number of different forms and has a long heritage in use, 15A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Buckle being considered honourable bearings and are said to “signify victorious fidelity in authority”. 16The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P115