The four main devices (symbols) in the Gilchrist blazon are the sun, mullet, crosses pattee fitche and water bouget. The two main tinctures (colors) are azure and or.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.3Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 4A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.5Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
The sun was long used as a potent symbol before the advent of heraldry and brought some of that existing meaning with it. In conventional heraldry it is normally borne in its splendour, that is with a face and a large number of alternating straight and wavy rays. 6A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sun It can also be seen issuing from behind clouds, and in some cases a demi or half sun coming from the base, reflecting either the dawn, or perhaps as it appears in the arms of WESTWORTH, with the sunset. 7A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P296
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 9A Display of Heraldry, J. Guillim, Blome, London, 1679, P107. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105.
No other symbol appearing in heraldry is subject to as much variation as the cross 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 12Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67, or fanciful, decorative endings to the arms of the cross 13A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P128. The cross pattee fitchee is typical of these, pattee indicating that the upper arms spread out at the ends, fitchee showing that the lower arm ends in a point as if is to planted in the ground.