The two main devices (symbols) in the Hallett blazon are the bezant and lion. The three main tinctures (colors) are or, sable and gules .
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” 1. Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun 2. In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ 3.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 4. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 5. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 6.
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”7. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines 8. Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).9
For easy recognition of the items on a coat of arms, and hence the quick identification of the owner, bold simple shapes are best. Hence, simple geometric shapes are often used for this purpose 10xz`, and the bezant Is a typical example of this, and in British Heraldry always takes the tincture or. It shares the same root as the name Byzantium, being associated with the gold coin of that city and indeed, in some heraldic traditions is represented as a coin-like disk in perspective. Wade suggests that the use of this device refers to ” one who had been found worthy of trust and treasure.” 11
The art of heraldry would be significantly poorer if we were without the lion in all its forms. Most general works on Heraldry devote at least one chapter solely to this magnificent creature and its multifarious depictions 12 13 14. Some of the earliest known examples of heraldry, dating right back to the knighting of Geoffrey of Anjou in 1127, where he is shown with six such beasts upon his shield 15 .The great authority on heraldic symbology, Wade, points out the high place that the lion holds in heraldry, “as the emblem of deathless courage” 16, a sentiment echoed equally today.