Blazons & Genealogy Notes
1) Per pale ar. and gu. a lion pass. or.
2) Sa. a fesse counter-embattled betw. three leopards’ faces or.
3) Same Arms, field gu. fesse or, and charges ar.
4) Same Arms (as Hellis), field gu. fesse or, and charges ar.
5) Sa. (another, gu.) a bend and chief ar. Crest—A hand holding an ear of wheat ppr.
6) Sa. a fesse battellee ar. betw. three leopards’ faces or.
7) Sa. a fesse crenelle betw. three leopards’ faces or.
Origin, Meaning, Family History and Hellis Coat of Arms and Family Crest
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Hellis Coat of Arms Meaning
The three main devices (symbols) in the Hellis blazon are the lion, leopard’s face and fesse counter embattled. The three main tinctures (colors) are or, sable and gules .
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” . Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun . In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ .
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur . In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known . Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy .
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries . Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone..
The art of heraldry would be significantly poorer if we were without the lion in all its forms. Most general works on Heraldry devote at least one chapter solely to this magnificent creature and its multifarious depictions . Some of the earliest known examples of heraldry, dating right back to the knighting of Geoffrey of Anjou in 1127, where he is shown with six such beasts upon his shield .The great authority on heraldic symbology, Wade, points out the high place that the lion holds in heraldry, “as the emblem of deathless courage” , a sentiment echoed equally today.
The leopard’s face (sometimes, incorrectly referred to as a leopard’s head occurs very frequently in heraldry . Early heraldic artists tended to treat lions and leopards as the same animal, but during the development of British Heraldry the heads of the two creatures have adopted separate, and more realistic forms. Wade would have us associate leopards with warriors, especially those who overcome ”hazardous things by force and courage”
The fesse is a broad horizontal band across the centre of the shield, in very ancient times it was said to occupy one third of the area height of the shield , however it soon became somewhat narrower. This created an opportunity to add decorative edging to the band, of many forms, and to very pleasing artisitic effect, at least close up – it must be admitted that at distance some of the forms are hard to distinguish! The term counter-embattled refers to an edge drawn as if it were the battlements of a castle. Indeed, it is one of several, very specific terms which describes exactly how the battlements are to be drawn . Normally, if an ordinary, such as a fesse or bend is drawn embattled then the battlements appear only on the upper edge, however the use her of counter-embattled tells us that the lower edge should be likewise treated. In all cases, the use of this decoration, according to Wade, is clearly to be associated with fortifications such as castles and walled towns.