The three main devices (symbols) in the Henry blazon are the lozenge, annulet and cross engrailed. The two main tinctures (colors) are azure and sable.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 3. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 4. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 5.
For easy recognition of the items on a coat of arms, and hence the quick identification of the owner, bold simple shapes are best. Hence, simple geometric shapes are often used for this purpose 6xz`, and the lozenge Is a typical example of this, and can appear in any of the main heraldic tinctures. It can appear on its own, voided (with the background visible through the middle), and can also be conjoined, whereby adjacent lozenges touch point-to-point. 7 Guillim groups the lozenge with all square shapes as being symbolic of “verity, probity, constancy and equity”. 8
For easy recognition of the items on a coat of arms, and hence the quick identification of the owner, bold simple shapes are best. Hence, simple geometric shapes are often used for this purpose 9xz`, and the annulet is a good example, being a circular ring of any colour. They also appear interlaced or one within the other, both of which are very pleasing additions. Wade believes that these were one of the symbols of ancient pilgrims. 10
No other symbol appearing in heraldry is subject to as much variation as the cross 11. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 12. The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.