Hextall Coat of Arms
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Which coat of arms or "family crest" is mine?
Choose the design you like best, just your ancestors did when they painted these symbols on the shields they carried into battle and displayed in their homes. These coats of arms are real, historical works of art/culture dating back as far as 1100AD. Most of these designs were compiled and documented by genealogists and heraldists in large books published in the nineteenth century. These arms were owned by individuals who bore your surname, and were passed down through the generations from father to son, earning the monicker "family crest".
Origin, Meaning and Family History of the Hextall Name
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Hextall Coat of Arms Meaning
The two main devices (symbols) in the Hextall blazon are the fleur-de-lis and bend. The three main tinctures (colors) are gules, sable and argent .
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines 2Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P52. Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).3A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P154
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sable. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 6The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 8A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
The fleur-de-lys (“flower of the lily”) has a long and noble history and was a symbol associated with the royalty of France even before heraldry became widespread. 9Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 3. The Lily flower is said to represent “Purity, or whiteness of soul”10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P134 and sometimes associated with the Virgin Mary. The fleur-de-lys is also used as a small “badge”, known as a mark of cadency to show that the holder is the sixth son of the present holder of the arms 11A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P489
The bend is a distinctive part of the shield, frequently occuring and clearly visible from a distance – it is a broad band running from top left to bottom right 12Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 39-40. Indeed, so important is the bend that it was the subject of one of the earliest cases before the English Court of Chivalry; the famous case of 1390, Scrope vs Grosvenor had to decide which family were the rightful owners of Azure, a bend or (A blue shield, with yellow bend). 13A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P22. The bend is held in high honour and may signify “defence or protection” and often borne by those of high military rank 14The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P49.