The four main devices (symbols) in the Huntington blazon are the fretty, mullet, lion rampant and buglehorn. The three main tinctures (colors) are gules, sable and azure .
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries 2Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone.3A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P77.
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sable. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 5Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 6The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 7A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 8The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
Fretty is a very pleasing patterning of the field whereby it is split into diamond shapes by overlapping and interwoven diagonal bands, where the background and the band colours may be any of the heraldic tinctures. 9A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Fret. The family CAVE, from Kent are blessed with the simple arms of Azure, fretty or. Ancient writers, such as Guillim believed that the pattern represented a net and hence symbolised those skilled in the art of “persuasion”! 10A Display of Heraldry, J. Guillim, Blome, London, 1679, P234
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 12A Display of Heraldry, J. Guillim, Blome, London, 1679, P107. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 13The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105.
There can be no animal more clearly associated with Heraldry than the lion, majestic King of the Beasts. Originally it appeared only in one pose, erect, on one paw, with the others raised 14Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 64 but such was the popularity of this figure, and the need to distinguish arms from each other, that it soon came to be shown in an enormous range of forms 15Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P136-141. The lion rampant is an example of these modified form, and any family would be proud to have such a noble creature displayed on their arms. Rampant is the default attitude of the lion, raised on its hind legs, facing to the dexter and with front paws extended in a fearsome and powerful pose.