Kelway Coat of Arms
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Which coat of arms or "family crest" is mine?
Choose the design you like best, just your ancestors did when they painted these symbols on the shields they carried into battle and displayed in their homes. These coats of arms are real, historical works of art/culture dating back as far as 1100AD. Most of these designs were compiled and documented by genealogists and heraldists in large books published in the nineteenth century. These arms were owned by individuals who bore your surname, and were passed down through the generations from father to son, earning the monicker "family crest".
Origin, Meaning and Family History of the Kelway Name
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Kelway Coat of Arms Meaning
The three main devices (symbols) in the Kelway blazon are the bone, pear and border engrailed. The three main tinctures (colors) are sable, or and argent .
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Sable. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 2Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 3The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P35.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 5A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.6Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 8A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
The bone brings to heraldry the association with mortality that it holds outside of the subject. 9The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P93 The precise part of the body in question is often specified, but no significant difference in meaning can be ascertained. On other occaisions a weak pun seems to be the aim, for bones appear often in the arms of the family BAINES. 10A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Bones
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 89. The spear or lance is a typical example, often borne (for obvious reasons) in allusion to the crucifixtion. 12The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P111 Sometimes only the head is shown, and on other occasions the tilting or tournament spear is specified, familiar to us from many a jousting scene in the movies. 13A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Spear
The border, (sometimes bordure) is a band running around the edge of the shield, following the edge contours and being differently coloured, possibly holding a series of small charges placed on top of it 14A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Bordure. To distinguish it from similar arms, heraldic artists developed a series of decorative edges (obviously these are applied only to the inner edge). A common form of this patterning, engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.