Leycroft Coat of Arms
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Which coat of arms or "family crest" is mine?
Choose the design you like best, just your ancestors did when they painted these symbols on the shields they carried into battle and displayed in their homes. These coats of arms are real, historical works of art/culture dating back as far as 1100AD. Most of these designs were compiled and documented by genealogists and heraldists in large books published in the nineteenth century. These arms were owned by individuals who bore your surname, and were passed down through the generations from father to son, earning the monicker "family crest".
Origin, Meaning and Family History of the Leycroft Name
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Leycroft Coat of Arms Meaning
The two main devices (symbols) in the Leycroft blazon are the cross pattee and chaplet. The two main tinctures (colors) are ermine and gules.
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 1A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P69 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P39. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.3Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 28. The ermine spot is sometimes found alone as a special charge on the shield.
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”4The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines 5Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P52. Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).6A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P154
No other symbol appearing in heraldry is subject to as much variation as the cross 7Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 8Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P67, or fanciful, decorative endings to the arms of the cross 9A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P128. The cross pattee is typical of these, pattee meaning “spreading”, and so the ends of the arms of the cross curve gently outwards to rather pleasing effect. 10A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Cross Pattée
Laurel appears in several forms in heraldry, beginning with the whole bush. through branches, sprigs and leaves. Wade, the noted heraldic author, reckons that the leaves represent “tokens of peace and quietness”, whilst branches, especially in pairs are in memory of some great triumph. 11The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P125. The other major appearance of the laurel is in the form of the laurel wreath, also known as a chaplet. 12A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Laurel. This was worn as a token of victory by Roman emporers, and Wade futher suggests that a similar purpose is adopted in heraldic art.