The two main devices (symbols) in the Loxly blazon are the lion and cross crosslet. The two main tinctures (colors) are azure and argent.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
The art of heraldry would be significantly poorer if we were without the lion in all its forms. Most general works on Heraldry devote at least one chapter solely to this magnificent creature and its multifarious depictions 5A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P172 6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 63 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P140. Some of the earliest known examples of heraldry, dating right back to the knighting of Geoffrey of Anjou in 1127, where he is shown with six such beasts upon his shield 8A Treatise on Heraldry, J. Woodward, W & A.K Johnston, Edinburgh & London, 1896, P45 .The great authority on heraldic symbology, Wade, points out the high place that the lion holds in heraldry, “as the emblem of deathless courage” 9The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P60, a sentiment echoed equally today.
No other symbol appearing in heraldry is subject to as much variation as the cross 10Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross. The cross crosslet is one of these, being symetrical both vertically and horizontally and having an additional cross bar on each arm. 11A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Cross Crosslet Wade suggests that these additional crossing signify “the fourfold mystery of the Cross”. 12The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P103