The three main devices (symbols) in the Lucci blazon are the fish, mullet and eagle. The two main tinctures (colors) are azure and argent.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 1A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 2The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 4A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
Fish in great variety abound in Heraldry, many different species inhabit coats of arms 5Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P150, although truth be told many of the actual images are sometimes indistinguishable, being shown as a stylised, and easily recognised “trout” shape 6A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P137 that a child might draw. The actual name used in the coat of arms may be some play-on-words or allusion to the family name, as in the famous arms of the de Lucy family, being “Gules, three lucies or”, 7Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 79 this being an ancient name for the fish we call today a “pike”.
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 9A Display of Heraldry, J. Guillim, Blome, London, 1679, P107. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105.
Where the lion is undisputed king of the animals, the eagle undoubtedly plays the same role in the realm of the birds, its use in this form dating back to at least the Roman period 11A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Eagle. They tend to be illustrated in quite some detail, especially in continental European arms, and have almost as wide variety of postures and accessories as the lion, well illustrated in the reference 12A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P235-238 as well as being just the eagle’s head or eagle’s leg. The symbology of the eagle is deep and complex, Wade devotes several pages to the subject 13The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P72-74, but suffice it say that it has long been associated with Empire and those held in high honour – any armiger would be pleased to have any form of Eagle upon their arms!