Origin, Meaning and Family History of the Meeres Name
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Meeres Coat of Arms Meaning
The two main devices (symbols) in the Meeres blazon are the water bouget and fesse engrailed. The three main tinctures (colors) are argent, gules and ermine .
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) . In a sketch or drawing it is represented by plain, unmarked paper .
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries . Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone..
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found . The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.. The ermine spot is sometimes found alone as a special charge on the shield.
A wide variety of inanimate objects appear in coats of arms, so of them still recognisable today, others now rather obscure. The images used are often simplified and stylised, the water bouget is a typical case of the later, such that the casual observer would be hard pressed to discern its function. It represents in fact a yoke with two skins attached to be worn over the shoulder and has been found in coats of arms almost from the beginning of the art. . Somewhat literally, Wade suggests that their appearance on arms may have been due to a holder who had “brought water to an army or beseiged place”.
The fesse is a broad horizontal band across the centre of the shield, in very ancient times it was said to occupy one third of the area height of the shield , however it soon became somewhat narrower. This created an opportunity to add decorative edging to the band, of many forms, and to very pleasing artisitic effect, at least close up – it must be admitted that at distance some of the forms are hard to distinguish! The pattern engrailed is a series of scalloped indentations with the points facing outwards – and should not be confused with invected, which has the points facing inwards! Wade believes that both of these indented forms represent “earth or land”, and one perhaps can indeed see the furrowed earth embodied in them.