The four main devices (symbols) in the Newman blazon are the mullet, dolphin, griffin and chevron wavy. The three main tinctures (colors) are gules, or and azure .
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries 2Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone.3A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P77.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 5A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.6Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 7A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Azure. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 8The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36.
The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 9Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 10A Display of Heraldry, J. Guillim, Blome, London, 1679, P107. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 11The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105.
In the days before television and the internet it was a rare heraldic artist that had ever seen a dolphin for real, so we should not be surprised that the heraldic representation is not instantly recognisable. Despite this, we should not forget that these artists considered the dolphin to be the king of fish, playing the same role as the lion in the animal kingdom. 12A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Dolphin For reasons not immediately clear, Wade suggests that the dolphin was regarded as an “affectionate fish, fond of music”. 13The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P83
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 14Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P164 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 15A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Griffin. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]16Fictitious & Symbolic Creatures…in British Heraldry, J. Vinycomb, Chapman & Hall, London, 1906, P150