The three main devices (symbols) in the Primrose blazon are the primrose, chevron and tressure. The three main tinctures (colors) are or, vert and gules .
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.1Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 2A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
The deep green colour that is so often observed in heraldry is more properly known as vert. According to Wade, the use of this colour signifies “Hope and Joy”, but may also represent, rather delightfully, “Loyalty in Love” 4The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. It has other names also, the French call it sinople, perhaps after a town in Asia Minor from where the best green die materials could be found 5A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Vert. More fanciful heralds liked to associate it with the planet venus and the precious stone emerald 6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. More strangely, there is some evidence that the term prasin was anciently used, being the Greek for the vegetable we call the Leek!
The bold red colour on a heraldic shield is known as gules. It has a long history within heraldry, it is known that one of those who besieged the scottish castle of Carlaverock in 1300 was the French knight Euremions de la Brette who had as his arms a simple red shield.7The Siege of Carlaverock, N. Harris, Nichols & Son, London, 1828, P180. The word gules is thought to come from the Arabic gule, or “red rose” 8Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 313. Later writers associated it with the precious stone ruby and the metal iron 9Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53, perhaps because of the red glow of iron in the heat of the blacksmith’s forge.
Natural objects abound in heraldry, and one category that gives especial delight are the many flowers and flowering plants that frequently occur 10A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P262. The primrose is also of this type, being drawn realistically and often to very pleasing effect. In meaning it is similar to that of the quatrefoil in bringing good luck. 11The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P135
The chevron is one the major shapes used upon a shield, known as ordinaries. The inverted ‘V’ of the chevron is perhaps thought to have originated to represent a military scarf folded on the shield 12A Display of Heraldry, J. Guillim, Blome, London, 1679, (various), or additional cross-pieces used to strengthen the shield and painted a different colour.13The Pursuivant of Arms, J. R. Planche, Hardwicke, London 1859. It has also acquired the meaning of “Protection… granted… to one who has achieved some notable enterprise” 14The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P45, possibly becuase of its resemblance to the roof truss of a house.
The tressure is an oridinary that echoes the outer edge of the shield, being a thin single or double line somewhat inset from the outside. It can decorated at key points with fleurs-de-lys in which case it is known as a tressure flory counter-flory. 15A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:tressure Wade considers it to be the emblem of “preservation and protection”, presumably because of its “surrounding” of the other charges. 16The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P51