The two main devices (symbols) in the Tayloe blazon are the lion rampant and sword. The two main tinctures (colors) are vert and ermine.
The deep green colour that is so often observed in heraldry is more properly known as vert. According to Wade, the use of this colour signifies “Hope and Joy”, but may also represent, rather delightfully, “Loyalty in Love” 1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. It has other names also, the French call it sinople, perhaps after a town in Asia Minor from where the best green die materials could be found 2A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Vert. More fanciful heralds liked to associate it with the planet venus and the precious stone emerald 3Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. More strangely, there is some evidence that the term prasin was anciently used, being the Greek for the vegetable we call the Leek!
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 4A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P69 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 5The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P39. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 28. The ermine spot is sometimes found alone as a special charge on the shield.
There can be no animal more clearly associated with Heraldry than the lion, majestic King of the Beasts. Originally it appeared only in one pose, erect, on one paw, with the others raised 7Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 64 but such was the popularity of this figure, and the need to distinguish arms from each other, that it soon came to be shown in an enormous range of forms 8Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P136-141. The lion rampant is an example of these modified form, and any family would be proud to have such a noble creature displayed on their arms. Rampant is the default attitude of the lion, raised on its hind legs, facing to the dexter and with front paws extended in a fearsome and powerful pose.
Given the martial nature of the origins of Heraldry, in the identification of knights and men-at-arms it can come as no surprise that mediaeval weaponry of all types are frequently to be found in a coat of arms 9Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 89. Indeed, the sheer variety of different swords 10A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P302 can be bewildering and expaining the difference between a scimitar and a falchion is perhaps best left to the expert! If a charge is described just as a simple sword then it will have a straight blade and cross handle, that may be of a different colour, and, unless specified, points upwards. Wade, quoting the earlier writer Guillim, signifies the use of the sword as representing “Government and Justice”.