Blazons & Genealogy Notes
Nördlingen (Bavière) De gueules au lion d’or tenant de sa patte senestre un bouquet de sable Cimier le lion issant Lambrequin d’or et de sable. English: Gules a lion rampant Or holding in his sinister paw a bouquet [?] sable. Crest: a demi-lion as in the arms. Mantling or and sable.
Origin, Meaning, Family History and Wertsch Coat of Arms and Family Crest
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Wertsch Coat of Arms Meaning
The two main devices (symbols) in the Wertsch blazon are the lion rampant and bouqet. The two main tinctures (colors) are or and gules.
Or is the heraldic metal Gold, often shown as a bold, bright yellow colour. It is said to show “Generosity and elevation of the mind” . Later heralds, of a more poetic nature liked to refer to it as Topaz, after the gemstone, and, for obvious reasons associated it with the Sun . In drawings without colour it is usually represented by many small dots, or by the letter ‘O’ .
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines . Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).
There can be no animal more clearly associated with Heraldry than the lion, majestic King of the Beasts. Originally it appeared only in one pose, erect, on one paw, with the others raised but such was the popularity of this figure, and the need to distinguish arms from each other, that it soon came to be shown in an enormous range of forms . The lion rampant is an example of these modified form, and any family would be proud to have such a noble creature displayed on their arms. Rampant is the default attitude of the lion, raised on its hind legs, facing to the dexter and with front paws extended in a fearsome and powerful pose.
A wide variety of inanimate objects appear in coats of arms, so of them still recognisable today, others now rather obscure. The images used are often simplified and stylised, the water bouget is a typical case of the later, such that the casual observer would be hard pressed to discern its function. It represents in fact a yoke with two skins attached to be worn over the shoulder and has been found in coats of arms almost from the beginning of the art. . Somewhat literally, Wade suggests that their appearance on arms may have been due to a holder who had “brought water to an army or beseiged place”.