The three main devices (symbols) in the Worthy blazon are the griffin, saltire and cinquefoil. The two main tinctures (colors) are gules and or.
Red in heraldry is given the name Gules, sometimes said to be the “martyr’s colour”1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. The colour is also associated with Mars, the red planet, and the zodiacal sign Aries 2Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. Later heralds of a more poetical nature would sometimes refer to the colour as ruby, after the precious stone.3A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P77.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 5A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.6Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 7Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P164 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 8A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Griffin. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]9Fictitious & Symbolic Creatures…in British Heraldry, J. Vinycomb, Chapman & Hall, London, 1906, P150
The saltire is one the major ordinaries, large charges that occupy the whole of the field 10A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Saltire. Arguably one of the best uses of this device is that of the St. Andrews Cross, a white saltire on a blue background found on the Scottish flag. The saltire is obviously closely related to the Cross, and Wade in his work on Heraldic Symbology suggests additionally that it alludes to “Resolution”, whilst Guillim, an even more ancient writer, somewhat fancifully argues that it is awarded to those who have succesfully scaled the walls of towns! 11A Display of Heraldry, J. Guillim, Blome, London, 1679, P63
Natural objects abound in heraldry, and one category that gives especial delight are the many flowers and flowering plants that frequently occur 12A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P262. The cinquefoil is also of this type, being drawn, at least a little, realistically and often to very pleasing effect. It is shown as five-petalled flower, each petal quite rounded but with a distinct tip. It is sometimes pierced with a hole in the centre and usually appears on its own, without any leaves. 13A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Cinquefoil It has no fixed colour but can appear in any of the available heraldic tinctures.