Affleck Family Crest, Coat of Arms and Name History

1) (Dalham Hall. co. Suffolk, Bart.). Motto—Pretiosum quod utile. Ar. three bars sa. Crest—An ear of wheat bearded ppr.
2) (Glenbervie, Kincardineshire). (Balmanno, co. Perth). Said to be the arms of Balmanno, which the first Auchiuleck of this family took on his marriage with the heiress of Balmanno of that Ilk. Ar. a cross embattled sa. Crest—An eagle rising ppr.
3) (that Ilk, co. Angus). Motto—Pretiosum quod utile. Ar. three bars sa. Crest—An ear of rye ppr.
4) (Crevenagh House, co. Tyrone, and Shamrock Green, co. Fermanagh). Motto—Pretiosum quod utile est. Ar. a cross counter embattled sa. in the 1st quarter a bugle horn az. stringed and embellished or, and in the 2nd, 3rd, and 4th quarters an estoile gu. Crest—A wheat stalk bladed and eared all ppr.
5) (Glenbervie, Kincardineshire). (Balmanno, co. Perth). Said to be the arms of Balmanno, which the first Auchiuleck of this family took on his marriage with the heiress of Balmanno of that Ilk. Ar. a cross embattled sa. Crest—An eagle rising ppr.

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The three main devices (symbols) in the Affleck blazon are the bar, cross embattled and ear of wheat. The two main tinctures (colors) are argent and sable.

Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 1. In a sketch or drawing it is represented by plain, unmarked paper 2.

Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur 3. In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known 4. Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy 5.

The bar is a thin, horizontal stripe across the centre of the shield 6, usually in groups of two or three (any more and there would be confusion with barry, a treatment of horizontal lines of alternating colours). Bars can be a distinctive and easily recognised device, early examples include those awarded by Henry III of England to the family MAUDYT Argent, two bars gules.

No other symbol appearing in heraldry is subject to as much variation as the cross 7. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges 8, or fanciful, decorative endings to the arms of the cross 9. An edge which is decorated like the top of a castle wall is said to be embattled, or sometimes crenelle, from the original French. (In castle building terminology the parts of the wall that stick up are known as merlons, and the resulting gaps as crenels). A whole sub-section of heraldic terminology has sprung up to describe whether these crennellations appear on which edges, whether they line up or alternate, have additional steps or rounded tops. The interested reader is directed to the reference for the full set! 10 For obvious reasons, use of this decoration is to be associated with castles and fortified towns, an early authority, Guillim suggest also some association with fire, but with out clear reason 11. In all, this is one of the more common, and most effective and appropriate of the decorative edges.

Many items found in the natural world occur in coats of arms, including many plants that people of the middle ages would be familiar with. Several varities of bush and small plants frequently found in the hedgerows beside fields can be observed 12, in addition to the famous thistle of Scotland 13. The ear of wheat is a an example of such a plant, instantly recognisable to those in the mediaeval period and still a proud symbol today.