The main device (symbol) in the Axtell blazon is the axe. The two main tinctures (colors) are or and azure.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.1Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 27. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 2A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P85. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.3Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53.
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 4Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 5The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P150.
The Axe appears in many forms in heraldic art, coming from both the martial and the craft traditions, indeed someone today would have a hard time telling their common hatchet from a turner’s axe, but it is likely that those in the middle ages were more familiar with each. 6A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Axe Obviously the axe from a craft tradition may symbolise the holder being a practitioner of that craft, but the axes from a martial background are suggested by Wade to indicate the “execution of military duty”. 7The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P100