The three main devices (symbols) in the Brice blazon are the castle, fret and cross. The two main tinctures (colors) are gules and argent.
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”1The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P36. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines 2Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P52. Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).3A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P154
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 4Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53. In a sketch or drawing it is represented by plain, unmarked paper 5A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11.
Architectural items, from individual components to entire buildings 6Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 92 feature frequently as charges In a coat of arms. Not surprisingly, considering the times from which many arms date, fortifications are common. The castle is perhaps second only to the tower in this usage, and often described in some detail as to its construction, the disposition of windows and so on. 7A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Castle Continental examples also sometimes include attackers on scaling ladders. Wade tells us that the appearance of a castle indicates “granduer and solidity” and one can understand why. 8The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P100
The fret is a striking charge, often occupying the whole of the field and being two instersecting diagonal lines interlaced with the outline of a square. 9A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Fret It is believed to be derived from the image of a fishing net, which it does indeed resemble, and hence Wade believes that it should signify persuasion, although other writers regard it separately as the “the heraldic true lovers knot” 10The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P118
No other symbol appearing in heraldry is subject to as much variation as the cross 11Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 47. Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. In its basic form, the cross is created from two broad bands of colour at right angles covering the whole extent of the shield. It has been subject to all manner of embellishment, and the interested reader is referred to the references, especially Parker’s Heraldic dictionary for many examples of these. 12A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1894, Entry:Cross 13A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P106 14A Treatise on Heraldry, J. Woodward, W & A.K Johnston, Edinburgh & London, 1896, P160-173 Suffice it to say that any armiger would be proud to have such an important device as part of their arms.