The four main devices (symbols) in the Elfred blazon are the leopard’s face, griffin, lamb and mount. The three main tinctures (colors) are ermine, azure and or .
Ermine is a very ancient pattern, and distinctive to observe. It was borne alone by John de Monfort, the Earl of Richmond and Duke of Brittany in the late 14th century 1 It has a long association with royalty and the nobility in general and hence represents “Dignity” wherever it is found 2. The ermine pattern is white with, typically, a three dots and a dart grouping representing the tail of the furred creature.3. The ermine spot is sometimes found alone as a special charge on the shield.
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli 4. Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” 5.
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.6. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa 7. The yellow colour is often associated with the Sun, and the zodiacal sign of Leo.8.
The leopard’s face (sometimes, incorrectly referred to as a leopard’s head occurs very frequently in heraldry 9. Early heraldic artists tended to treat lions and leopards as the same animal, but during the development of British Heraldry the heads of the two creatures have adopted separate, and more realistic forms. Wade would have us associate leopards with warriors, especially those who overcome ”hazardous things by force and courage” 10
In the mediaeval period there was no real percieved difference between real and mythical animals, after all, much of the world remained unknown and who was to say what strange and magical creatures existed in distant lands? As heraldry developed a whole menagerie of imagined creatures 11 came into being, and their various representations became more or less standardised in form and appearance. The griffin is perhaps the most common of these creatures, being a chimera with the body of a lion and the head and wings of an eagle. 12. It is most often in the pose known as rampant segreant, on its hind legs with claws and wings extended. Vinycomb has much to say on the subject of the griffin, perhaps summarised in his belief that it represents “strength and vigilance”.]13
The lamb may refer either to the young of the sheep, in which case it is shown entirely in profile, or to the paschal or holy lamb, which turns to face the viewer and has both a halo and a flag on a pole. The flag may be charged with additional items. 14 Its significance is obviously religious in nature, “befitting one a brave, resolute spirit”, according to Guillim. 15