Origin, Meaning, Family History and Etton Coat of Arms and Family Crest
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Etton Coat of Arms Meaning
The two main devices (symbols) in the Etton blazon are the leopard’s face and cross patonce. The three main tinctures (colors) are gules, or and azure .
Gules, the heraldic colour red is very popular, sometimes said to represent “Military Fortitude and Magnanimity”. It is usually abbreviated as gu and in the days before colour printing was shown in a system known as hatching by vertical lines . Although it may look like a French word it is normally pronounced with a hard “g” and may be derived either from the Latin gula (throat) or Arabic gule (rose).
The bright yellow colour frequently found in coats of arms is known to heralds as Or, or sometimes simply as Gold.. Along with, argent, or silver it forms the two “metals” of heraldry – one of the guidelines of heraldic design is that silver objects should not be placed upon gold fields and vice versa . The yellow colour is often associated with the Sun, and the zodiacal sign of Leo..
Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” . The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance .
The leopard’s face (sometimes, incorrectly referred to as a leopard’s head occurs very frequently in heraldry . Early heraldic artists tended to treat lions and leopards as the same animal, but during the development of British Heraldry the heads of the two creatures have adopted separate, and more realistic forms. Wade would have us associate leopards with warriors, especially those who overcome ”hazardous things by force and courage”
No other symbol appearing in heraldry is subject to as much variation as the cross . Mediaeval Europe was a deeply religious and Christian and many of the nobility wanted to show their devotion by adopting the symbol of the cross as part of the arms. Since no two arms could be identical there arose many variants of the cross, typically involving patterning along the edges , or fanciful, decorative endings to the arms of the cross . The cross patonce is typical of these, whereby each arm of the cross expands and ends in a bud-like projection. These cross variations are probably largely for decorative effect, and to differentiate the arms from similar ones and hence their significance is that of the Christian cross itself.