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Blazons & Genealogy Notes

1) (co. Durham). Az. a chev. ar. betw. three mullets of the second. Crest—A cock sa. combed, legged, and beaked
2) (co. Warwick, and Maringe, co. York). Ar. three fleurs-de-lis az. betw. six crosses crosslet fitchee sa. a crescent gu. for diff. Crest—A cubit arm erect in armour ppr. holding in the gauntlet a caltrap ar. round the arm a sash vert.
3) (co. York). Sa. a chev. betw. three mullets of six points ar.
4) Az. a cross moline betw. four mullets or. Crest—An arm embowed in armour, grasping in the hand a spear all ppr.
5) Ar. a cross crosslet fitchee sa. betw. three fleurs-de-lis gu.
6) "(Caherslee, co. Kerry). Az. three mullets or. Crest—A cock ppr. (Burke's Supplement states the crest is a cock statant sa. combed, wattled, legged, and spurred gu.)."
7) (Wynestead, co. York, and East Horseley, co. Surrey; an ancient and eminent family, co. York). (Patrington, co. York, bart., extinct 1814; Robert Hildyard, Esq., of Patrington, was created a bart. 1660, he was youngest son of Sir Christopher Hildyard, Knt., of Wynestead). Az. three mullets or, (and sometimes ar.) a chev. betw. three mullets ar. Crest—Originally, a reindeer ppr.; subsequently, a cock sa. beaked, legged, and wattled gu. The latter Crest was granted to this family for the valour shown by members of it at the battle of Towton, between the Houses of York and Lancaster, when Sir Robert Hildyard was slain, commanding under the banner of Lancaster.
8) (Flintham, co. Notts; exemplified to Thomas Blackborne Thoroton-Hildyard, Esq., of Flintham, J.P. and D.L., High Sheriff of Notts in 1862). Az. a chev. betw. three mullets or. Crest—A game-cock beaked, legged, and wattled gu.

Origin, Meaning, Family History and Hilliard Coat of Arms and Family Crest


The name Hillard is of Norman/French origin and is patronymic, as it, and all other variations of the name's spelling are believed to have derived from one common ancestor, Robert Hildheard from Normanby in the county of York. It is thought the name came over with William the Conqueror during the invasion.

The variations in the spelling of the surname Hillard includes; Hillard; Hilliard; Hildyard; Hildheard; and Hilliard among others. The variations in spelling of surnames, as well as many given or bynames dating back to ancient times can be attributed to a lack of consistency regarding guidelines for spelling in use by the scribes who recorded such information, many of which were in the habit of spelling phonetically. The issue of multiple spellings of names in records was compounded by the diversity of languages in use in European countries at this time.

Until the Norman invasion and conquest, surnames were rarely if ever used. In the small settlements and villages which existed during earlier times in most of Britain, residents found little need for surnames as everyone in these communities knew each other and a given name would usually suffice. However, as communities grew and people began to migrate on a larger scale, along with the need of the government having a reliable way to track people for tax and census purposes, the Norman aristocracy's penchant for using surnames seemed the appropriate evolution to this problem. In most instances to distinguish themselves, one from another, those not of the noble class would often be identified by their given name plus their occupation while others may have been identified by their given name and one of their parent's names. There was a boundless supply from which surnames could be formed, in addition to the use of patriarchal/matriarchal names or reference to the individuals occupation, there were things such as defining physical traits, a familiar geographical location or a topographical landmark found near the individual's home or birthplace, the name of the village in which the person lived, and so much more. Over the course or time, surnames would come not just to represent an individual but whole families.

One of the earliest record of any variation of this surname is that of Robert Hildeyerd which appears in the York tax rolls from 1273. The tax rolls, were a series of census and tax records kept by the English Treasury by order of King Edward III, with the oldest dating back to the 12th century. These documents are considered the oldest concentrical set of records detailing English governance in the United Kingdom spanning a period of over seven centuries, they have proven invaluable to researches over the years. Additional tax rolls show records of Hilward de Broughton from Furness in Cumbria in 1409.

William Hillard is recorded as one of the earliest immigrants to America bearing the surname or any variation of the spelling of Hillard. He who arrived in 1654 and settled in Virginia. Rebecca Hillard arrived in 1680 and settled in Maryland and Richard Hillard landed in 1684 and settled in Virginia.

Worldwide, the highest concentration of people with the surname Hillard are found in Australia, the United States, Ireland, the United Kingdom, and France. By state, the largest percentile of those with the surname Hillard live in Kentucky.

There are many persons of note who bear the surname Hillard. Probably one of the earliest was Nicholas Hillard (Hilliard), artist to the Royal Household of Queen Elizabeth I; born in Exeter, Devon, England, he was the son of Richard Hilliard (Hellyer) the Sheriff of Exter. It is also believed Hillard had a strong connection to John Bodley, father of Thomas Bodley who founded Oxford Universities Bodleian Libray, one of the oldest libraries in Europe and the second largest in England, both families were extremely close and supportive of their individual familial endeavors.

Hillard had shown himself to be a gifted artist at an early age, he painted a self portrait at 13 and at 18 he produced a portrait of Mary Queen of Scots. While it is believed he had very little formal training as an artist, he is believed to have been trained in the art of limning by Levina Teerlinc, the Flemish Renaissance painter. Limning is the skill of creating illuminated manuscripts. He was a skilled goldsmith, as well, having served a seven year apprenticeship to Robert Brandon, the Queen's jeweler.

Once his apprenticeship was completed, he opened a shop with his brother, John, who was also a goldsmith. At about this same period, the Royal household was in need of an artist to render royal portraits. Hillard had at some point, had painted a number of portraits in miniature for the Earl of Leicester, Leicester being a court favorite, introduced the young artist's work, and it is through his efforts, Queen, Elizabeth I, became acquainted with his painting. The first official miniature commissioned by the Queen was dated 1572.

Hilliard Coat of Arms Meaning

The four main devices (symbols) in the Hilliard blazon are the mullet, chevron, fleur-de-lis and cross crosslet fitchee. The two main tinctures (colors) are azure and argent.

Azure is the heraldic colour blue, usually quite a deep, dark shade of the colour (there is a lighter blue that sometimes occurs, known as celestial azure). If colour printing is not available then it can be represented by closely spaced horizontal lines in a scheme known as “hatching” 1. The word is thought to originate from the Arabic lazura and it represents the colour of the eastern sky. It is also said to be the colour associated by the Catholic Church with the Virgin Mary and hence of particular significance 2.

Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) 3. In a sketch or drawing it is represented by plain, unmarked paper 4.

The heraldic mullet, not to be confused with the fish of that name, is shown as a regular, five pointed star. This was originally, not an astronomical object, but represented the spur on a horseman’s boot, especially when peirced, with a small circular hole in the centre it represents a type of spur known as a “rowel” 5. A clear example can be found in the arms of Harpendene, argent, a mullet pierced gules. The ancient writer Guillim associated such spurs in gold as belonging to the Knight, and the silver to their esquires 6. In later years, Wade linked this five pointed star with the true celestial object, the estoile and termed it a “falling star”, symbolising a “divine quality bestowed from above” 7.

The chevron is one the major shapes used upon a shield, known as ordinaries. The inverted ‘V’ of the chevron is perhaps thought to have originated to represent a military scarf folded on the shield 8, or additional cross-pieces used to strengthen the shield and painted a different colour.9. It has also acquired the meaning of “Protection… granted… to one who has achieved some notable enterprise” 10, possibly becuase of its resemblance to the roof truss of a house.

The fleur-de-lys (“flower of the lily”) has a long and noble history and was a symbol associated with the royalty of France even before heraldry became widespread. 11. The Lily flower is said to represent “Purity, or whiteness of soul”12 and sometimes associated with the Virgin Mary. The fleur-de-lys is also used as a small “badge”, known as a mark of cadency to show that the holder is the sixth son of the present holder of the arms 13

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  • 1 Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 26
  • 2 The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P150
  • 3 Understanding Signs & Symbols – Heraldry, S. Oliver & G. Croton, Quantum, London, 2013, P53
  • 4 A Glossary of Terms used in British Heraldry, J.H. Parker, Oxford, 1847, P11
  • 5 Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 97
  • 6 A Display of Heraldry, J. Guillim, Blome, London, 1679, P107
  • 7 The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P105
  • 8 A Display of Heraldry, J. Guillim, Blome, London, 1679, (various)
  • 9 The Pursuivant of Arms, J. R. Planche, Hardwicke, London 1859
  • 10 The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P45
  • 11 Boutell’s Heraldry, J.P. Brooke-Little, Warne, (revised Edition) London 1970, P 3
  • 12 The Symbolisms of Heraldry, W. Cecil Wade, George Redway, London, 1898 P134
  • 13 A Complete Guide to Heraldry, A.C. Fox-Davies, Bonanza (re-print of 1909 Edition), New York, 1978, P489