Origin, Meaning, Family History and Kiddall Coat of Arms and Family Crest
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Kiddall Coat of Arms Meaning
The three main devices (symbols) in the Kiddall blazon are the dolphin, saltire raguly and lion. The three main tinctures (colors) are argent, sable and azure .
Argent is the heraldic metal Silver and is usually shown as very pure white. It is also known more poetically as pearl, moon (or luna) . In a sketch or drawing it is represented by plain, unmarked paper .
Sable, the deep black so often found in Heraldry is believed to named from an animal of the marten family know in the middle ages as a Sabellinœ and noted for its very black fur . In engravings, when colors cannot be shown it is represented as closely spaced horizontal and vertical lines, and appropriately is thus the darkest form of hatching, as this method is known . Although it may seem a sombre tone, and does indeed sometimes denote grief, it is more commonly said to represent Constancy .
The bright, strong blue color in Heraldry is known in English as azure, and similarly in other European languages – azul in Spanish, azurro in Italian and azur in French. The word has its roots in the Arabic word lazura, also the source of the name of the precious stone lapis lazuli . Despite this, those heralds who liked to associate colours with jewels chose instead to describe blue as Sapphire. According to Wade, the use of this colour symbolises “Loyalty and Truth” .
In the days before television and the internet it was a rare heraldic artist that had ever seen a dolphin for real, so we should not be surprised that the heraldic representation is not instantly recognisable. Despite this, we should not forget that these artists considered the dolphin to be the king of fish, playing the same role as the lion in the animal kingdom. For reasons not immediately clear, Wade suggests that the dolphin was regarded as an “affectionate fish, fond of music”.
The saltire, whilst frequently associated with Scotland is actually a widely used and popular ordinary found throughout all of British Heraldry, perhaps because of its cross-like form . In order to allow for clear differences between similar arms, heralds designed a series of decorative edges, not all of them are appropriate for the saltire (because of the interior angles) but those are suitable can be very effective artistically. Of the decorative edges raguly can be at first hard to identify, but once we understand that it arises from an old word raggguled meaning ”chopped off”. we can see that the curious shapes are intended to represent boughs lopped off a tree trunk. (This is also the origin of the term “ragged staff” see so frequently with a bear in Heraldry). Wade suggests that the use of this decoration represents “difficulties that have been encountered” , and we can perhaps understand that the “hacked path” resulting shows that these difficulties have been overcome.
The art of heraldry would be significantly poorer if we were without the lion in all its forms. Most general works on Heraldry devote at least one chapter solely to this magnificent creature and its multifarious depictions . Some of the earliest known examples of heraldry, dating right back to the knighting of Geoffrey of Anjou in 1127, where he is shown with six such beasts upon his shield .The great authority on heraldic symbology, Wade, points out the high place that the lion holds in heraldry, “as the emblem of deathless courage” , a sentiment echoed equally today.